Friday, December 20, 2024

Mike Licona, Bart Ehrman and Rethinking Biblical Inerrancy


Back in May of 2024, Mike Licona, of Risen Jesus blog, publicly posted his Fall ETS 2023 presentation "Chicago Statement on Biblical Inerrancy Needs a Facelift." I only recently read Licona's article and have had some time to reflect on his proposal. It is very short at only twelve double spaced pages, and therefore is easy to digest. His main thesis is this, "it’s the message of Scripture with which God is concerned rather than each and every word" (Licona, pg. 6). He seems to be emphasizing the human authorship of scripture in contrast to the CSBI which, according to Licona, emphasizes the divine authorship of scripture (pg. 6). Licona explains further.
"Now, if the providence of God can guarantee the authority and message of Scripture throughout the preservation of its texts despite the copies having errors, the same could be true throughout the composition of those texts despite the autographs having errors." (Licona, pg. 7)
He gives a fuller explanation on the following pages.
"If Paul’s statement “Christ is speaking through me” [2 Cor 13:2-3] is an example of what it means to be theopneustos or “carried along by the Holy Spirit,” the message Paul preached derives from God and is approved by God. But to insist that every last word in Paul’s preaching was always inerrant in the CSBI sense, is something that I doubt most of us in this room would want to argue. Yet if minor errors of detail could be present in Paul’s preaching when Christ was speaking through him, why could they not also be present in Paul’s writing when Christ was speaking through him? This is not to say there were errors in the autographs. It is to say that we cannot know if there were and that the position that they could not have been is based on a dubious concept of inspiration." (Licona, pg. 8-9)
I find it refreshing that Licona is willing to discuss revisions of the CSBI and the general way Evangelicals view inspiration and inerrancy. I too have made my own attempts at addressing the shortfalls of this doctrinal statement in my blog and through some published papers (here, and here). Yet I can't help but find Licona's attempt somewhat flatfooted.

First is the fact that Licona seems to misunderstand what the CSBI is proposing. He emphasizes one particular phrase in the CSBI: "although the human writers’ personalities were expressed in what they wrote, the words were divinely constituted" (emphasis by Licona, pg. 4-5). According to Licona, this goes beyond the scriptural support found in verses like 2 Timothy 3:16 or 2 Peter 1:20-21 and emphasizes the divine origin of the scriptures at the expense of their human authorship. Licona introduces William Lane Craig's proposal of the confluence of scripture and its dual authorship as a new addition to the discussion (Licona, 6). Yet the CSBI does emphasize the human authorship of scripture, noting that the language and styles of the authors would not have been overridden by God.
"Article VIII. We affirm that God in His work of inspiration utilized the distinctive personalities and literary styles of the writers whom He had chosen and prepared. We deny that God, in causing these writers to use the very words that He chose, overrode their personalities."
Craig's view of the dual authorship of scripture is essentially no different than Article VIII of the CSBI.

Licona also briefly discusses the problems of the New Testament authors quoting from the Greek version of the Old Testament (LXX) as though this is something not encompassed by the CSBI (Licona, 8-9). Along the same lines, the synoptic problem and Matthew's alleged "correcting" of Mark's grammar are also presented as problems that are outside the narrow scope of the CSBI's view of inspiration and inerrancy (Licona, 4-5). Again, the inerrancy envisioned by the CSBI is loose enough to account for these kinds of "problems" in Article XIII.
"We further deny that inerrancy is negated by Biblical phenomena such as a lack of modern technical precision, irregularities of grammar or spelling, observational descriptions of nature, the reporting of falsehoods, the use of hyperbole and round numbers, the topical arrangement of material, variant selections of material in parallel accounts, or the use of free citations."
Finally, Licona's thesis that God is concerned only with the message of scripture seems to mis the mark altogether. Licona fails to understand the context of 2 Timothy 3:16 because earlier Paul directs Timothy,
"Follow the pattern of the sound words that you have heard from me, in the faith and love that are in Christ Jesus. By the Holy Spirit who dwells within us, guard the good deposit entrusted to you."
‛Yποτύπωσιν ἔχε ὑγιαινόντων λόγων ὧν παρ’ ἐμοῦ ἤκουσας ἐν πίστει καὶ ἀγάπῃ τῇ ἐν Χριστῷ Ἰησοῦ· τὴν καλὴν παραθήκην φύλαξον διὰ πνεύματος ἁγίου τοῦ ἐνοικοῦντος ἐν ἡμῖν. (2 Tim. 1:13-14)
Paul really seems to be emphasizing that the very arrangement of his divinely inspired words are being entrusted to Timothy and are to be guarded by him. This goes against Licona's interpretation of θεόπνευστος (God breathed) in 2 Timothy 3:16. Licona seems to be making the same error of misunderstanding that Bart Ehrman has done, confusing the preservation of scripture with inspiration. I think it is important to quote Ehrman's comments in full here.
"Then I began to see that not just the scribal text but the original text itself was a very human book. This stood very much at odds with how I had regarded the text in my late teens as a newly minted "born-again" Christian, convinced that the Bible was the inerrant Word of God and that the biblical words themselves had come to us by the inspiration of the Holy Spirit. As I realized already in graduate school, even if God had inspired the original words, we don't have the original words. So the doctrine of inspiration was in a sense irrelevant to the Bible as we have it, since the words God reputedly inspired had been changed and, in some cases, lost. Moreover, I came to think that my earlier views of inspiration were not only irrelevant, they were probably wrong. For the only reason (I came to think) for God to inspire the Bible would be so that his people would have his actual words; but if he really wanted people to have his actual words, surely he would have miraculously preserved those words, just as he had miraculously inspired them in the first place. Given the circumstance that he didn't preserve the words, the conclusion seemed inescapable to me that he hadn't gone to the trouble of inspiring them." (Ehrman, Misquoting Jesus, 211)
Now compare this with Mike Licona's conclusions in his paper quoted above. Though Licona points to the doctrine of inspiration that needs tweaking, it seems like he is really looking at the manner in which the text has been preserved (very humanly with variations and errors in the manuscripts), and the lack of the preservation of the autographs and questioning whether the text was inerrant in the first place. Obviously Licona believes that the scriptures are the inspired word of God, unlike Ehrman, yet the similarity of their conclusions are striking.

Overall, Licona seems to be missing the point, that inerrancy really has to do with God and his character and little to do with the mechanics of inspiration God employed. It is irrelevant whether one looks at the hand of God writing on tablets of stone, or Isaiah orally giving prophecies from God, or Paul writing letters to Churches, the scriptures are inerrant because God doesn't lie. If the scriptures are divinely inspired, then they are truthful in everything that they claim. If they are not then God must be called a liar and cannot be trusted. We may not have full access to inerrancy because we do not have access to the physical autographs (see my paper here for a full definition), but we do have access to the "text" of the autographs, even if imperfectly (see the final paragraphs of my paper here). I am fully in agreement with Licona's conclusions that what we have preserved today is certainly enough for the Holy Spirit to work!

I am also completely onboard with Licona's desire to re-address the CSBI, I too believe that Evangelicals should be discussing the doctrine of scripture and better articulating our understanding of inerrancy beyond the CSBI. I hope that this blog post is a step in that direction.
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Quotations from the CSBI are taken from "Defending Inerrancy" (https://defendinginerrancy.com/chicago-statements/)

Thursday, December 5, 2024

The Christian Codex And The Pocket Sized Bookroll



Scholars often attribute the compactness and portability of a codex as the impetus for Christians to have adopted this format for their scriptures at an early date. For example, the itinerate preaching of the early apostles and evangelists could have necessitated the compactness and portability of the codex over the roll (Epp, "The Codex," 20-22). As is often counter argued, these types of modern attitudes towards the codex are likely influenced by anachronistic ideas about the book (Larsen and Letteney, "Christians and the Codex," 390-391). With this in mind I came across a few references in Aulus Gellius's Attic Nights (2nd cen. CE) that shed light on the alleged portability of the codex verses the roll.

In Gellius's account, Scipio Africanus was being accused in front of the senate of taking a bribe from King Antiochus. In response to this Gellius recounts,
"Thereupon Scipio arose, and taking a roll from the fold of his toga, said that it contained an account of all the money and all the booty; that he had brought it to be publicly read and deposited in the treasury. "But that," said he, "I shall not do now, nor will I so degrade myself." And at once, before them all, he tore the roll across with his own hands and rent it into bits, indignant that an account of money taken in war should be required of him, to whose account the salvation of the Roman State and its power ought to be credited." (Gellius, Noctes Atticae, 4.18.9-12)
In this account, Scipio wasn't carrying a proper bookroll containing a lengthy literary work. It appeared to be some sort of leger of smaller size because Scipio was able to tear it into shreds fairly easily. This would have been much more difficult for a normal full-sized literary roll.

Later in the work, Gellius recounts a personal story in which he was in a book shop and a "foolish man" was boasting that he was the only person who could truly understand Marcus Varro's Satires.
"At the time I chanced to have with me a book of those Satires, entitled Ὑδροκύων, or The Water Dog. I therefore went up to him and said: "Master, of course you know that old Greek saying, that music, if it be hidden, is of no account.​ I beg you therefore to read these few lines and tell me the meaning of the proverb contained in them." (Gellius, Noctes Atticae, 13.31.2-3)
This account is a fascinating retelling of a duel of minds, with Gellius exposing the "foolish man's" ignorance of the text. In this instance, the bookroll carried by Gellius was a proper roll containing literature. Thus, in the same manner as Scipio, Gellius was able to carry this roll on his person and produce it quickly and rapidly find the relevant passage with ease.

Later in his work, Gellius recounts a story in which a bright young man was having a conversation in a public space about an historical fact concerning a passage in Homer's Illiad. Some "half educated fellows" were present and ignorantly interjected themselves into the conversation.
"One or two half-educated fellows who were present there, of the class that the Greeks call ἀγοραῖοι, or “haunters of the market-place,” laughed in derision of this statement, and declared that the man who had made it had read a copy of Homer which happened to lack the following verse: "And rotted the ship's timbers, loosed the ropes (σπάρτα)." Then the youth, in great vexation, replied: “It was not my book that lacked that line, but you who badly lacked a teacher, if you believe that σπάρτα in that verse means what we call spartum, or 'a rope of Spanish broom'.” They only laughed the louder, and would have continued to do so, had he not produced the twenty-fifth book of Varro's Human Antiquities, in which Varro writes as follows of that Homeric word: “I believe that σπάρτα in Homer does not mean sparta, or 'Spanish broom,' but rather σπάρτοι, a kind of broom which is said to grow in the Theban territory. " (Gellius, Noctes Atticae, 17.3)
In this account, it is not exactly clear where the story takes place. Judging by the description of the "half-educated fellows" it likely occurred in a public marketplace of some kind. The bright young man happened to be carrying a roll that contained a copy of the twenty-fifth book of Marcus Varro's Human Antiquities. This was a literary work written in a bookroll and the youth had no problem finding the relevant passage quickly and producing it for the other "foolish-men" to read for themselves.

In each of these cases recounted by Gellius, a bookroll was easily carried by the hero of the story. The relevant passage was quickly located and produced for the protagonist to read for themselves. Though limited in scope, this evidence reveals the anachronistic tendencies of modern arguments for the Christian preference for the codex. It seems that an educated itinerant preacher would have had no problem carrying a gospel in a roll format, producing it during an evangelism event, and finding a relevant gospel passage from which to engage with the listeners.

EDIT: A reader of the blog, Viktor Johansson, responded with some excellent observations through private message. Some important objections to my quick take on Gellius, especially concerning the account at 17.3, are these: 

First, I can't assume that the discussion with the educated young man takes place in a marketplace outdoors. This account could have just as easily occurred in a personal library or outside of a public library where texts like Varro's would have been readily available.

Second, and most importantly of all, because the heroes of these stories are educated well-to-do men, they most likely had a retinue of slaves at hand with them. These would have been invisible in the story. Any one of these attendants could have gone and fetched the book for the protagonist either from the location at hand (in a public or private library) or had been carrying it upon their persons.

All in all, this excellent response reveals my own anachronistic assumptions that I bring to the text of Gellius. At best these accounts from Gellius reveal that educated men in the high Roman empire were adept at handling a bookroll and could easily find the relevant passage a roll.

EDIT#2: Johansson responded again with some more excellent observations on these passages in Attic Nights. Gellius, speaking in the first person, recounts a scene where he visits Fronto who was sick and sitting on a couch "surrounded by men famous for learning, birth, or fortune." In the middle of this scene, Fronto is being shown plans for a bath "drawn on little pieces of parchment." A dispute suddenly arises over the meaning of a word that Fronto uses. To settle the matter, a famous grammarian sitting nearby is pointed out. The grammarian argues that the word is "better known in the talk of mechanics than in that of cultivated men." Fronto replied in the following manner.
"But Fronto, raising his voice and with a more earnest expression, said: “Sir, does this word seem to you so degraded and utterly faulty, when Marcus Cato and Marcus Varro, and the early writers in general, have used it as necessary and as good Latin?” And thereupon Julius Celsinus reminded him that also in the tragedy of Ennius entitled Iphigeina the very word about which we were inquiring was found, and that it was more frequently corrupted by the grammarians than explained. Consequently, he at once asked that the Iphigenia of Quintus Ennius be brought and in a chorus of that tragedy we read these lines: . . .When this had been read there, then Fronto said to the grammarian, who was already wavering . . . ." (Gellius, Noctes Atticae, 19.10)
This account is fascinating and should be read in its entirety. I only wanted to quote the relevant few lines here because they paint a vivid picture of the scene. Fronto is ill, surrounded by many educated men in his private home. A dispute arises with a grammarian and Fronto asks his attendants (not mentioned up to this point) to fetch a specific book of literature. Gellius doesn't specify who reads the text, whether Fronto himself or an attendant, or perhaps the grammarian himself. Either way it appears that the text was read out loud to everyone present. This account sheds light on the other reading events quoted above, especially at 17.3. It is possible that these events took place in a similar situation as 19.10 with attendants present and in a location with books readily available.
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Eldon J. Epp, "The Codex and Literacy in Early Christianity and at Oxyrhynchus: Issues Raised by Harry Y. Gamble’s Books and Readers in the Early Church" in Critical Review of Books in Religion 11 (1988): 15-37.

Matthew D. C. Larsen, Mark Letteney, "Christians and the Codex: Generic Materiality and Early Gospel Traditions" in Journal of Early Christian Studies 27.3 (2019): 383-415.

William A. Johnson, Readers and Reading Culture in the High Roman Empire: A Study of Elite Communities (New York: Oxford University Press, 2010), 129 footnote 54.