Mike Licona, Bart Ehrman and Rethinking Biblical Inerrancy

Back in May of 2024, Mike Licona, of Risen Jesus blog, publicly posted his Fall ETS 2023 presentation "Chicago Statement on Biblical Inerrancy Needs a Facelift." I only recently read Licona's article and have had some time to reflect on his proposal. It is very short at only twelve double spaced pages, and therefore is easy to digest. His main thesis is this, "it’s the message of Scripture with which God is concerned rather than each and every word" (Licona, pg. 6). He seems to be emphasizing the human authorship of scripture in contrast to the CSBI which, according to Licona, emphasizes the divine authorship of scripture (pg. 6). Licona explains further.

"Now, if the providence of God can guarantee the authority and message of Scripture throughout the preservation of its texts despite the copies having errors, the same could be true throughout the composition of those texts despite the autographs having errors." (Licona, pg. 7)

He gives a fuller explanation on the following pages.

"If Paul’s statement “Christ is speaking through me” [2 Cor 13:2-3] is an example of what it means to be theopneustos or “carried along by the Holy Spirit,” the message Paul preached derives from God and is approved by God. But to insist that every last word in Paul’s preaching was always inerrant in the CSBI sense, is something that I doubt most of us in this room would want to argue. Yet if minor errors of detail could be present in Paul’s preaching when Christ was speaking through him, why could they not also be present in Paul’s writing when Christ was speaking through him? This is not to say there were errors in the autographs. It is to say that we cannot know if there were and that the position that they could not have been is based on a dubious concept of inspiration." (Licona, pg. 8-9)

I find it refreshing that Licona is willing to discuss revisions of the CSBI and the general way Evangelicals view inspiration and inerrancy. I too have made my own attempts at addressing the shortfalls of this doctrinal statement in my blog and through some published papers (here, and here). Yet I can't help but find Licona's attempt somewhat flatfooted.

First is the fact that Licona seems to misunderstand what the CSBI is proposing. He emphasizes one particular phrase in the CSBI: "although the human writers’ personalities were expressed in what they wrote, the words were divinely constituted" (emphasis by Licona, pg. 4-5). According to Licona, this goes beyond the scriptural support found in verses like 2 Timothy 3:16 or 2 Peter 1:20-21 and emphasizes the divine origin of the scriptures at the expense of their human authorship. Licona introduces William Lane Craig's proposal of the confluence of scripture and its dual authorship as a new addition to the discussion (Licona, 6). Yet the CSBI does emphasize the human authorship of scripture, noting that the language and styles of the authors would not have been overridden by God.

"Article VIII. We affirm that God in His work of inspiration utilized the distinctive personalities and literary styles of the writers whom He had chosen and prepared. We deny that God, in causing these writers to use the very words that He chose, overrode their personalities."

Craig's view of the dual authorship of scripture is essentially no different than Article VIII of the CSBI.

Licona also briefly discusses the problems of the New Testament authors quoting from the Greek version of the Old Testament (LXX) as though this is something not encompassed by the CSBI (Licona, 8-9). Along the same lines, the synoptic problem and Matthew's alleged "correcting" of Mark's grammar are also presented as problems that are outside the narrow scope of the CSBI's view of inspiration and inerrancy (Licona, 4-5). Again, the inerrancy envisioned by the CSBI is loose enough to account for these kinds of "problems" in Article XIII.

"We further deny that inerrancy is negated by Biblical phenomena such as a lack of modern technical precision, irregularities of grammar or spelling, observational descriptions of nature, the reporting of falsehoods, the use of hyperbole and round numbers, the topical arrangement of material, variant selections of material in parallel accounts, or the use of free citations."

Finally, Licona's thesis that God is concerned only with the message of scripture seems to mis the mark altogether. Licona fails to understand the context of 2 Timothy 3:16 because earlier Paul directs Timothy,

"Follow the pattern of the sound words that you have heard from me, in the faith and love that are in Christ Jesus. By the Holy Spirit who dwells within us, guard the good deposit entrusted to you."
‛Yποτύπωσιν ἔχε ὑγιαινόντων λόγων ὧν παρ’ ἐμοῦ ἤκουσας ἐν πίστει καὶ ἀγάπῃ τῇ ἐν Χριστῷ Ἰησοῦ· τὴν καλὴν παραθήκην φύλαξον διὰ πνεύματος ἁγίου τοῦ ἐνοικοῦντος ἐν ἡμῖν. (2 Tim. 1:13-14)

Paul really seems to be emphasizing that the very arrangement of his divinely inspired words are being entrusted to Timothy and are to be guarded by him. This goes against Licona's interpretation of θεόπνευστος (God breathed) in 2 Timothy 3:16. Licona seems to be making the same error of misunderstanding that Bart Ehrman has done, confusing the preservation of scripture with inspiration. I think it is important to quote Ehrman's comments in full here.

"Then I began to see that not just the scribal text but the original text itself was a very human book. This stood very much at odds with how I had regarded the text in my late teens as a newly minted "born-again" Christian, convinced that the Bible was the inerrant Word of God and that the biblical words themselves had come to us by the inspiration of the Holy Spirit. As I realized already in graduate school, even if God had inspired the original words, we don't have the original words. So the doctrine of inspiration was in a sense irrelevant to the Bible as we have it, since the words God reputedly inspired had been changed and, in some cases, lost. Moreover, I came to think that my earlier views of inspiration were not only irrelevant, they were probably wrong. For the only reason (I came to think) for God to inspire the Bible would be so that his people would have his actual words; but if he really wanted people to have his actual words, surely he would have miraculously preserved those words, just as he had miraculously inspired them in the first place. Given the circumstance that he didn't preserve the words, the conclusion seemed inescapable to me that he hadn't gone to the trouble of inspiring them." (Ehrman, Misquoting Jesus, 211)

Now compare this with Mike Licona's conclusions in his paper quoted above. Though Licona points to the doctrine of inspiration that needs tweaking, it seems like he is really looking at the manner in which the text has been preserved (very humanly with variations and errors in the manuscripts), and the lack of the preservation of the autographs and questioning whether the text was inerrant in the first place. Obviously Licona believes that the scriptures are the inspired word of God, unlike Ehrman, yet the similarity of their conclusions are striking.

Overall, Licona seems to be missing the point, that inerrancy really has to do with God and his character and little to do with the mechanics of inspiration God employed. It is irrelevant whether one looks at the hand of God writing on tablets of stone, or Isaiah orally giving prophecies from God, or Paul writing letters to Churches, the scriptures are inerrant because God doesn't lie. If the scriptures are divinely inspired, then they are truthful in everything that they claim. If they are not then God must be called a liar and cannot be trusted. We may not have full access to inerrancy because we do not have access to the physical autographs (see my paper here for a full definition), but we do have access to the "text" of the autographs, even if imperfectly (see the final paragraphs of my paper here). I am fully in agreement with Licona's conclusions that what we have preserved today is certainly enough for the Holy Spirit to work!

I am also completely onboard with Licona's desire to re-address the CSBI, I too believe that Evangelicals should be discussing the doctrine of scripture and better articulating our understanding of inerrancy beyond the CSBI. I hope that this blog post is a step in that direction.
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Quotations from the CSBI are taken from "Defending Inerrancy" (https://defendinginerrancy.com/chicago-statements/)

Timothy Mitchell, "What are the NT Autographs? An Examination of the Doctrine of Inspiration and Inerrancy in Light of Greco-Roman Publication." JETS 59/2 (June 2016): 287-308.

Timothy Mitchell, Where Inspiration is Found: Putting the New Testament Autographs in Context,” in Southern Baptist Journal of Theology 24.3 (Fall 2020): 83-101.

How Can We Say the Bible is Inerrant in the Originals (autographs)?

A friend notified me of a recent episode of "The Breifing" by Albert Mohler where he addresses a question sent to him by a listener. You can hear the question and Mohler's response at the following link.

This isn't the exact wording of the question, but it went something like this.

"How can we say that the Bible we have is inerrant only in the originals? If our translations today could have small errors over time, can we really say that the Bible is perfect?"

The questioner indicated that this issue was causing him to doubt his faith. This really struck a cord with me because this is a very similar problem that drove me into studying New Testament textual criticism. Unfortunately I was a little disappointed by Mohler's response, which sounded more like a dodge to me. With that said, his answer was honest and transparent about the limitations of his own knowledge of the topic.

I wanted to briefly address this question, though a full throated response would necessitate a book.

There is a theological problem that is revealed by the way the question is worded. The concept of divine preservation is confused and lumped in with divine inspiration, and thus, inerrancy and these two theological ideas must be understood as two different events.

Divine Inspiration of Scripture:

Inspiration was a one time event that occured through the apostles and prophets as they were moved by the Holy Spirit (2 Peter 1:20-21). Paul told Timothy that all scripture (γραφη) is God-breathed (2 Timothy 3:16-17). Because Peter mentions words that were spoken and Paul uses the term γραφη, inspiration must therefore be limited to certain people (apostles and prophets) at an appointed time (while speaking or when writing) and limited to specific words (being spoken and or written). These scriptural references also reveal that there was a divine confluence in this event, the Holy Spirit worked through men who spoke or wrote. 

Because God is the one who moved the men to write, then it must mean that there is no untruthfulness or mistakes in what was conveyed through these men (Numbers 23:19, Titus 1:2, Hebrews 6:18). However, because men of a certain age and culture were moved to speak and write, then actual human languages, couched within specific cultures and countries were employed (Hebrew, Aramaic, Koine Greek).Once the inspiration event was over, the documents were released for copying, circulation, and dispatched to Churches (in the case of the epistles), then the inspiration event was over.

Preservation of Scripture through Fallible Human Agency:

Now ordinary men were given charge over copying and distributing God's word. In Deuteronomy 17:18, the King is charged with making a copy of God's Law, and the priests are charged with keeping master copies. Yet they failed in their tasks, the kings failed to follow God's commands and the priests lost track of the copies of the law (Hosea 4:6, 2 King's 22:8-10). In the New Testament, men are entrusted to spread the Gospel (Matthew 28:19-20), this involved copying out the scriptures to be distributed (Colossians 4:16). Yet, even then, the apostolic message was twisted, which is what happened in the case of Paul's letters (2 Peter 3:15-16). Already within one hundreds years of the time of the apostles errors had found their way into copies of the scriptures that were circulating. Irenaeus (180 CE), in his Against Heresies, 5.30.1., mentions that some copies of Revelation had the mark of the beast as 616 rather than 666.

Finally, another problem with the way the original question was worded was that it confused the wording of the inspired autographs or "originals" with a physical object. It must be understood that it is the wording, the text that was inspired not a physical document (such as papyrus, or parchment). As long as the wording is faithfully transcribed, then the copy is also inspired. Because fallible men have been entrusted with transcribing and transmitting the scriptures, however, there are imperfections in the extant copies. This means that our access through our imperfect manuscripts to inerrant inspiration has some limitations. These textual variations in the manuscripts are human errors of transcription, not errors of inspiration. Though our access to God's inerrant word has some limitation, our access is sufficient for knowing and understanding the message of salvation.

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For a transcript of "The Breifing" go to the following link, under "Part II".

For a fuller treatment of these topics, see my two articles below.

"What are the NT Autographs? An Examination of the Doctrine of Inspiration and Inerrancy in Light of Greco-Roman Publication." JETS 59/2 (June 2016): 287-308.

Where Inspiration is Found: Putting the New Testament Autographs in Context,” in Southern Baptist Journal of Theology 24.3 (Fall 2020): 83-101.

[EDIT: I want to also recommend this excellent volume that addresses a lot of the issues that the questioner is facing.

https://www.amazon.com/Enduring-Authority-Christian-Scriptures/dp/0802865763]

What Are the New Testament Autographs?

I am privileged to have an article published in the June issue of the Journal of the Evangelical Theological Society;

"What are the NT Autographs? An Examination of the Doctrine of Inspiration and Inerrancy in Light of Greco-Roman Publication." JETS 59/2 (June 2016): 287-308.

The abstract reads;

"This article explores the definition of the NT "autographs" as articulated in various inerrancy doctrinal statements. It begins by sketching the history of the doctrine of the inerrancy of the "autographs," followed by some modern criticisms of the doctrine. Greco-Roman publication composition and publication practices are surveyed by investigating three figures from the beginning of the Roman Imperial age through to its height: Cicero, Pliny the Younger, and Galen. Four extant examples of ancient papyrus "autographs" are examined, illustrating the draft and rewriting stages of composition. After analyzing Greco-Roman publication, a definition is proposed: in reference to the NT, the "autographs," as often discussed in biblical inerrancy doctrinal statements, should be defined as the completed authorial work which was released by the author for circulation and copying, not earlier draft versions or layers of composition."

A significant portion of the article focuses on select quotations from the letters and writings of Cicero, Pliny, and Galen illustrating that the writing process was often a long process which involved writing and rewriting. Friends and associates, scribes, and personal secretaries would often be a part of the editing process as well. All the while it was expected that these early draft stages of composition would not circulate beyond the immediate circle of associates who were offering feedback to these initial stages of composition. The key event that signaled the end of this process was the releasing of the work, by the author, for general circulation by the author's circle of acquaintances.
I also bring into the discussion a few extant examples of papyrus autographs. This is merely to illustrate that, usually, early stages of the writing process were characterized by rewriting, editing, deletions, and corrections. These papyrus copies were obviously not meant for wider circulation because they were incomplete. Of course, the event that would signal the completion of the composition process would be the releasing of the document for circulation by the author's associates.
Therefore, I think that, in light of this practice, the doctrinal statements should define the New Testament "autographs" in the same manner, that is, the completed form of the New Testament writings that were released for circulation.

Valentin de Boulogne, Apostle Paul Writing